Delta Moon
Black Cat Oil
(Red Parlor)
By Mary Leary
Daggerzine
Summer’s
almost here. Delta Moon’s honey-sweet slide guitar sounds will be
perfect on hot, humid days and warm, dry nights. But do you have to be
incredibly depressed and/or have lost your dog, (wo)man, house, and/or
skateboard to earn the title, “Blues Songwriter of the Year”? Delta
Moon’s principal tunesmith, Tom Gray was given that trophy by the
American Roots Music Association in 2008. So you get a reward for being
down. Sounds kind of like being Jewish, or Catholic. Abandoning those
musings for the moment, I’m here to report that Delta Moon has a new
full-length (record) full of blues that combine gutsiness with casual
delivery; hence, a sense of uneasiness that could be in the dictionary
next to contemporary blues. Calling on influences including Mississippi
Fred McDowell and Robert Johnson, Gray conjures blues for listeners who
like ‘em sparse and crusty – the guitars take the place of the Greek
chorus; moaning and testifying to the emotions behind Gray’s words.
These guys have the chops to let the music stand without any added
frippery: No distorted tones. No extra tracks. Black Cat Oil is clean
and simple.
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