Delta Moon - Black Cat Oil
By Bill Wilcox
Twangville
Delta Moon features unique dueling slide guitar leads that give the
band’s music the swampy, gritty sound that has made it one of Atlanta’s
best kept secrets. Black Cat Oil, the seventh album to feature
the lap-steek guitar-work of singer-songwriter Tom Gray and bottleneck
slide guitar of Mark Johnson, is a solid offering.
Moon, which until 2007′s Clear Blue Flame frequently
featured female lead singers (first Gina Leigh and later Kristin
Markiton), has garnered significant critical, if not commercial,
success. An early high point for the band was 2004′s Goin’ Down South,
which, with Gina Leigh’s vocals, created some magical moments (check
out “Nobody Knows”). The current line-up features Gray and Johnson,
plus bassist Franher Joseph and drummer Marlon Patton. The bluesy,
sometimes funky feel of the band’s music gives their records a
down-home, distinctly southern feel reminiscent of J.J. Grey &
Mofro’s Florida swamp-boogie or the North Mississippi Allstars. But
Delta Moon has its own signature approach that needs to be heard to be
appreciated.
Like Clear Blue Flame, Black Cat Oil again
finds Delta Moon cranking out an excellent, passionate brand of swamp
rock. The tunes are memorable, and the musicianship is outstanding on
every track. The first track, “Down and Dirty,” sets a rocking tone for
the album. Other highlights are “Blues in a Bottle,” the title tune,
and “Neon Jesus.”
While Black Cat Oil is an excellent effort, the female
singers featured in the band prior to 2007, particularly Gina
Leigh, gave the band a dimension that the current Delta Moon lineup and
other leading blues-rock bands (JJ Grey, NMAS, Gov’t Mule, etc.) lack. That said, Delta Moon is still a great band, and the dual
slide-guitar approach creates a sound unlike any other.
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